The bib is a Victorian construction: a structured front panel that sits between collar and waist, the shirt announcing itself as a formal object before anything else is understood about it. The cabinet photograph in Archive I's reference material — a woman standing beside a stack of books, plaid and plain combined with complete authority, her posture the argument — points toward this: women who dressed in that era did so with full knowledge of what each choice communicated. The bib shirt carries that understanding into cotton.

The botanical embroidery worked at the bib is the flame lily — Gloriosa superba, Zimbabwe's national flower. The petals reflex dramatically as the flower opens, curling back on themselves from yellow at the base through to deep scarlet at the tip, the margins undulating, the form unlike anything else in the botanical world. This is where Archive I becomes specific rather than historical. The embroidery is not a reference to botanical illustration as a genre. It is one flower, from one country, belonging to the women in one family line — a maternal inheritance worked in thread onto the most formal part of the shirt.

The decision to embroider rather than print keeps the mark at human scale — present and considered up close, reading as texture from a distance. The extended cuff at the sleeve gives the piece its second formal note. Everything above the waist is deliberate. UK 8, 10, 12.

Limited to 30 editions.