The fringe arrives here from two directions at once. The first is structural: woven textiles — a close-up of a pink, rust, and white loom — where the fringe is simply where the weave ends, the warp threads left to fall. The second is ceremonial: the beaded Yoruba prestige caps, objects in which knitting and craft are inseparable from status. Both are referenced without quotation.

The lightest piece in the knitwear collection at 120g. The skirt moves where the others hold. The fringe at the hem is not ornament; it is the honest end of the knit, left visible rather than concealed.

Pairs with the striped cardigan or the jacquard tee. The proportions were drawn from the silhouette references — the short, defined hemline worn by women in the studio portraits, the graphic legibility of the body in a mini with weight above it.

Produced in an edition of 95 pieces.