The orange came from a specific study: a close examination of a densely interlocked woven surface — brick-like in its rhythm, built in orange, deep sienna, and black. The texture was not smooth or regular. Each unit was slightly different from the next, the paint applied unevenly, the joins visible. That imprecision was the point: this was a made object, not a manufactured one, and the making was legible in it.

That surface was digitised and translated into the jacquard. The orange held. The black held. The density of the original woven reference carries through into the weight of the motif on the body.

The silhouette is deliberately boxy: the shoulder sits wide, the body is square, the hem falls straight. The graphic does not bend to the form beneath it. The form adjusts to the graphic. At 300g, this sweater has physical presence — it is worn rather than put on.

Produced in an edition of 94 pieces.